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Maestà (Duccio di Buoninsegna) : ウィキペディア英語版
Maestà (Duccio)

The ''Maestà'', or ''Maestà of Duccio'' is an altarpiece composed of many individual paintings commissioned by the city of Siena in 1308 from the artist Duccio di Buoninsegna.〔''Medieval Italy: An Encyclopedia'' by Christopher Kleinhenz (Nov 2003) Routledge, ISBN 0415939305 page 310〕 The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of the ''Childhood of Christ'' with prophets. The reverse has the rest of a combined cycle of the ''Life of the Virgin'' and the ''Life of Christ'' in a total of forty-three small scenes; several panels are now dispersed or lost. The base of the panel has an inscription that reads (in translation): "Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus." 〔"Art History: Fourteenth to Seventeenth Century Art" by Marilyn Stokstad (2011) page 543〕 Though it took a generation for its effect truly to be felt, Duccio's ''Maestà'' set Italian painting on a course leading away from the hieratic representations of Byzantine art towards more direct presentations of reality.
==History==

The painting was installed in the cathedral of Siena on 9 June 1311. One person who witnessed this event wrote:
And on that day when it was brought into the cathedral, all workshops remained closed, and the bishop commanded a great host of devoted priests and monks to file past in solemn procession. This was accompanied by all the high officers of the Commune and by all the people; all honorable citizens of Siena surrounded said panel with candles held in their hands, and women and children followed humbly behind. They accompanied the panel amidst the glorious pealing of bells after a solemn procession on the Piazza del Campo into the very cathedral; and all this out of reverence for the costly panel… The poor received many alms, and we prayed to the Holy Mother of God, our patron saint, that she might in her infinite mercy preserve this our city of Siena from every misfortune, traitor or enemy.

Besides the Virgin Mary and the Baby Jesus, saints depicted in the painting include John the Evangelist (to the left of the throne); Saint Paul; Catherine of Alexandria; John the Baptist (to the right of the throne); Saint Peter; and Saint Agnes.〔(The Maestà by Duccio di Buoninsegna – Olga's Gallery )〕 In the foreground are Siena’s various patron saints: Saint Ansanus; Saint Sabinus; Saint Crescentius; and Saint Victor.〔
The altarpiece remained in place until 1711, when it was dismantled in order to distribute the pieces between two altars. The five-meter high construction was dismantled and sawn up, and the paintings damaged in the process. Partial restoration took place in 1956. The dismantling also led to pieces going astray, either being sold, or simply unaccounted for. Extant remains of the altarpiece not at Siena are divided among several other museums.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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